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Selected Exhibitions

  • Elizabeth Foundation for the Arts, NYC. Seeing Is Realizing There Is Always More to See. Curated by Sharon Kendrick. Lisa Blas, Sari Carel, Clare Churchouse, Billy Gerard Frank, Beth Ganz, Amir Hariri, Tooraj Khamenehzadeh, Lise Kjaer, Joyce Yu-Jean Lee and Negin Mahzoun, 2024
  • Elizabeth Foundation for the Arts, NYC. North Fork Reports: Clare Churchouse, Lise Kjaer, Ole Lejbach, 2023
  • Kapp Kapp, NYC. Lingua Franca. Curated by Daniel Kapp. Hannah Beerman, Brian Belott, Justin Chance, Clare Churchouse, Susan Cianciolo, Mary Manning, Louis Osmosis, Richard Tuttle and Rachel Eulena Williams, 2022
  • Pierogi, Brooklyn, NY. Make Art Not War: Pierogi for Peace. Curated by Joe Amrhein, 2022
  • PS122 Gallery, NYC. i set my face to the hillside. Curated by Ian Cofré. Painting Space 122 Project Studio Residency artists, Clare Churchouse, Deville Cohen, Marley Freeman, Shadi Harouni, Christopher K. Ho, Sophie Kitching, Sreshta Rit Premnath and Hernán Rivera Luque, 2022
  • Triangle, Brooklyn, NY. Art Mutters (Alone and United). Curated by Annesofie Sandal, 2020
  • Pierogi, NYC. Pierogi Flat Files selection. Curated by Joe Amrhein, 2020
  • The Bronx Museum of the Arts, NY, 2017. Bronx Calling: The Fourth AIM Biennial. Curated by Christine Licata, Aylet Ojeda Jequin and Heather Reyes, 2017
  • Kimmel Galleries | Windows, NYU, NYC. In Shape. Curated by Daricia Mia DeMarr, 2017
  • 257 State Street, Hudson, NY. Interventions II. Curated by Isidro Blasco, 2015
  • Pierogi, Brooklyn, NY. Pierogi XX. Curated by Joe Amrhein, 2014
  • Grindel 117, Hamburg, Germany. short-hand-made. Curated by Reinhold Engberding, 2014
  • Pierogi, Brooklyn, NY. Unhinged. Curated by Joe Amrhein, 2013
  • Deutscher Künstlerbund e.V., Berlin. Thread – On The Complexity of the Inconspicuous. Curated by Ruth Diehl and Annebarbe Kau, 2013
  • The Art Directors Club, NYC. The Pencil Show. Curated by Eric Laine, 2012
  • Smack Mellon, Brooklyn, NY. SITE 92: Work Permit Approved. Curated by Suzanne Kim, 2011
  • 319 Hooper Street, Brooklyn, NY. Clare Churchouse and Yui Kugimiya. Curated by Eric Laine, 2010
  • 319 Hooper Street, Brooklyn, NY. Hooper Apartment Show. Curated by Eric Laine, 2010
  • ISE Cultural Foundation, NYC. Spatial Non-Fictions. Curated by Susan Thompson. Four person show, 2009
  • Silver Shed Project Space, NYC. Free Dimensionality. Curated by Patrick Meagher, 2008
  • Capla Kesting Fine Art, Brooklyn, NY. Facelift. Curated by Eric Laine, 2008
  • Pierogi, Brooklyn, NY. Artist of the Week, 2007
  • Richard E. Peeler Art Center, DePauw University, IN. Skirting the Line: Conceptual Drawing. Curated by Kaytie Johnson, 2006
  • Dumbo Arts Center, Brooklyn, NY. Sleep Spaces. Curated by Eunhee Yang, 2005
  • Art in General, NYC. Plane and Elevation. Curated by Jose Gabriel Fernandez, 2004
  • Smack Mellon Gallery, Brooklyn, NY. Outpost. Curated by Ada Chisholm, 2003
  • Spike Gallery, NYC. 27 Emerging Artists, 2002
  • International Studio & Curatorial Program, NYC, 2001 
  • International Studio & Curatorial Program, NYC, 2000 
  • Turnpike Gallery, Manchester. A Formal Engagement. Curated by Andrea Hawkins. Three person show, 1999
  • The Nunnery, Bow Arts Trust, London. Shift, 1998. Touring show to Kilkenny County Council Arts Gallery, Kilkenny, Ireland, 1998
  • A.P.T. Gallery, London. Influx. Curated by Marc Garrett, 1997
  • Barber Institute of Fine Arts, Birmingham University. Small Works. Curated by Jake Lever, 1997
  • Midlands Arts Center, Birmingham. Revisions, 1996
  • Eagle Works Gallery, Wolverhampton. Shirts, Stripes and Other Stories. Two person exhibition, 1995
  • Triskell Arts Center, Cork, Ireland. Second City Art Exchange. Three person show, 1995
  • The Bond Gallery, Birmingham. Can You Tell What It Is Yet? Curated by Rob Hewitt, 1995
  • 65 Kingsway, London. Open Door 94, 1994
  • Clove 2 Gallery, London. Visions. Curated by Anna Malyckyj. Four person show, 1994
  • New Street, Birmingham. 2nd City Art Show Curated by Robert Clark, Gina Medcalf and Sylvia Wright, 1994
  • The Custard Factory, Birmingham. Funded by Birmingham Art Trust, 1993
  • Bull Ring Shopping Center, Birmingham. Funded by West Midlands Arts, 1993
  • Herbert Museum and Art Gallery. Coventry Open Exhibition, 1992
  • The Custard Factory, Birmingham. Summer Show ’92
  • Churchill Precinct, Dudley, West Midlands, 1992
  • Midlands Arts Center, Birmingham. Under One Roof, 1992
  • Plymouth City Museum and Art Gallery. The South West Open, 1990
  • Redcliffe Artists exhibition, Bristol, 1990
  • Hewlett Packard Gallery, Bristol. Two person show, 1989
  • Coopers Gallery, Bristol. Clare Churchouse: Recent Paintings. Curated by Rupert Martin. Solo exhibition, 1989
  • Brewhouse Arts Center, Taunton. The Brewhouse Open, 1988
  • The Storey Institute, Lancaster. Five Years On, 1988
  • South Hill Park Arts Center, Bracknell. Four Women Artists, 1988
  • Reading University Art Gallery, 1987
  • Milton Keynes Community Gallery, Bucks. Solo exhibition, 1985
  • Double Vision Galleries, Exeter University. Two person show, 1985

Other

  • Pierogi Gallery, Brooklyn, NY. Drawings in Flat Files
  • White Columns Artist Registry, 2009 – current
  • BBC in Partnership with the Public Catalogue Foundation’s Uncovering the Nations Art Collection, UK (Art UK)
  • White Columns Online, Like a museum filled with things and bones, curated by Rachel Vera Steinberg, 2023
  • Expanded(exdrawp), Raging Tide (aftermath): collaboration with Gelah Penn, 2020
  • White Columns Online, Default Network, curated by Jamie Sterns, 2017
  • The Bronx Museum of the Arts Artist in the Marketplace Program (AIM) 2017, NY
  • Expanded(exdrawp), Visual Mapping Systems, 2015
  • Smack Mellon Hot Picks 2012, Brooklyn, NY
  • The British are Coming, FiberScene.com. Curated by Susan Taber Avila and Myra Block Kaiser, 2004-2005
  • Franconia Sculpture Park, Franconia, MN. Earthwork in collaboration with artist/ architect Robert Manchester. August 2000

Awards

  • NYSCA/NYFA Artist Fellow, Drawing, 2023
  • AAPOR Conference Award, 2018
  • John Anson Kittredge Educational Award, USA, 2000
  • London Arts Board Visual Artists Award, 1999
  • Barber Institute of Fine Arts Revision Award, Birmingham University, 1995
  • International Visual Artists Exchange Award, Birmingham Art Trust, 1995

Residencies

  • Potato Farm Project Artist Residency, NY, November 2023
  • Painting Space 122 Project Studio Program, NYC, 2020-2022
  • Art Omi, NY, July, 2001
  • International Studio and Curatorial Program, NYC, June 2000-August 2001
  • Vermont Studio Center, Work/ study fellowship, August 1999
  • Triangle Artists Workshop, NYC, October 1998
  • Cork Artists Collective, Ireland, July-August 1995
  • Milton Keynes Community Workshop Trust, Bucks, March-July 1985

Selected Catalogs/Essays/Bibliography

  • The Brooklyn Rail, Maia Siegel, Lingua Franca: An Exclamation Point in Any Language. July-Aug 2022
  • Office Magazine, Izzy Einstein, Speaking in Tongues. July 20, 2022
  • Two Coats of Paint, Sharon Butler, Two Coats Selected Gallery Guide NYC: July, 2022. July 6, 2022
  • Bronx Calling: The Fourth AIM Biennial, Mario Torres, Holly Block, Brian Boucher, Christine Licata, Aylet Ojeda Jequín, Heather Reyes, The Bronx Museum of the Arts. NY. 2017
  • Village Voice, Critic’s Pick, The Unknowns. September 14, 2017
  • The New Yorker, Goings on About Town, Bronx Calling: The Fourth AIM Biennial. September 4, 2017
  • ArminRohr.de, Holger B. Nidden-Grien/Reinhold Engberding, Short Hand Made, Germany. August 20, 2014
  • Spatial Non-Fictions, Susan Thompson, ISE Foundation, NYC. 2009
  • OnTheCusp.org, Scott Grow, review: Skirting the Line. May 3, 2006
  • Skirting the Line: Conceptual Drawing, Kaytie Johnson, Richard E. Peeler Art Center, DePauw University, IN. 2006
  • New York Press, Anna-Kaisa Walker, Sleep Spaces. February 16, 2005
  • The Brooklyn Rail, William Powhida, Outpost. October, 2003
  • Triangle Artists’ Workshop 1998 & 2000, NYC. 2002
  • A Formal Engagement, Andrea Hawkins, Turnpike Gallery, Manchester, UK. 1999
  • Influx, Tim Cornall, A.P.T. Gallery, Deptford, London, UK. 1997
  • The Birmingham Post, Janie Greville, Using the Barber’s Past to Sharpen the Cutting Edge. 1997
  • The Birmingham Post, Janie Greville, Flawless Fair Exchange Gives Work to Delight. October 25, 1995
  • The Irish Times, Mark Ewart, Second City Art Exchange. August 1995
  • Stirring the Custard, Birmingham, Phil Mnoir, Well, Can You? March 1995
  • The Birmingham Post, Janie Greville, Stimulating Selection to Mull Over. January 21, 1995
  • Time Out, London, Sarah Kent, Visions. March, 1994
  • The Birmingham Post, Terry Grimley, Bright Colors and Bold Contrast. May 11, 1993
  • Venue Magazine, Bristol, Clare Churchouse: Recent Paintings. September 1989
  • Bristol Evening Post, Mike Gartside, Explosion of Talent from the Young at Art. May 1988
  • Four Women Artists, South Hill Park Arts Center, Bracknell, UK. 1988

Education

  • MS Data Visualization, Parsons School of Design, 2019
  • MFA Art, Reading University, 1987
  • BA (Honors) Visual Arts, Lancaster University, 1983